By Elizabeth Bulger

What was once I pondering whilst I ordered this publication - so much crafts aren't my variety.

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You can then add to this answer the same information from the general question, What specifically did you do to this image? Summary The concepts we have covered in these first two chapters—using best practices, writing thorough reports, and answering difficult questions in court—may not have affected many forensic image analysts yet. If your work is limited to printing photos of graffiti and car burglaries, you may never go to court in your career. But this does not invalidate these concepts. Instead, these chapters should help you ease into a better workflow that will be less subject to potential challenges.

Caution must be used in making any image adjustments so that qualitative changes are not overapplied. As to necessary changes of content, examples include adding annotations to an image (as in a court chart) or changing the backgrounds of pictures in a photo lineup so that one individual does not stand out from the rest. In cases where the addition of text, lines, or other data is very obvious, the change stands for itself. In cases where an unusual background in a photo lineup is made to better match the individuals, documentation should be included in a report so that all interested parties are aware of the change.

To open a Raw file, you must convert it with a Raw processing/converting application such as ACR to another format. The resulting file cannot be saved back to the original Raw file format; it must be saved in a non-Raw file format such as TIFF, JPEG, or the Photoshop format. Raw formats offer greater bit depth than camera processed formats—usually 10 or 12 bits per channel (depending on the camera)—providing a much greater tonal range. An 8-bit image has up to 256 tones per channel; a 10-bit image has 1,024.

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