By Nissim Otmazgin

This quantity examines the family members among pop culture creation and export and the nation in East and Southeast Asia together with the city centres and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. It addresses the shift in legit pondering towards the position of pop culture within the political lifetime of states led to by way of the big flow of cultural commodities and the probabilities for reaching "soft power". unlike past stories, this quantity can pay specific consciousness to the position of states and cross-state cultural interactions in those approaches. it's the first significant try to examine those matters relatively and to supply an immense corrective to the constraints of current scholarship on pop culture in Asia that experience often overlooked its political elements. As a part of this circulate, the essays during this quantity recommend a widening of disciplinary views. Hitherto, the preponderance of correct stories has been in cultural and media fields, anthropology or historical past. the following the participants explicitly draw on different disciplinary views — political technology and diplomacy, political economic climate, legislation, and coverage reviews — to discover the complicated interrelationships among the nation, politics and economics, and well known culture.
This e-book may be of curiosity to scholars and students of Asian tradition, society and politics, the sociology of tradition, political technological know-how and media stories.

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Extra resources for Popular culture and the state in East and Southeast Asia

Sample text

Moreover, international organizations and NGOs have also been advocating support for the cultural industries as a way to reduce poverty in developing economies. UNESCO, for example, has recently emphasized the need for placing the cultural industries on Asia’s agenda as a key for economic development. According to Sheldon Shaeffer (2005), Director of UNESCO Regional Bureau for Education in Asia and the Pacific: Cultural diversity and cultural industries have become linked as key elements in new development strategies.

Newmann and Nexon (2006) identified four ways in which popular culture may be relevant to IR: popular culture as politics (causing and stemming from political events); popular culture as a mirror; popular culture as a source for data about norms, identities, and beliefs; and finally, popular culture as a constitutive factor (actually creating and re-creating social understandings). All four characterizations find expression in this volume, with the added dimension of popular culture as economics.

2009) “Cultural Industry and Asianization: The New Imagined Inter-Asia Economy,” unpublished manuscript. Slaymaker, D. (2000) “Popular Culture in Japan: An Introduction,” in D. , A Century of Popular Culture in Japan, New York: The Edwin Mellen Press. Sotarauta, M. and Srinivas, S. (2005) “The Co-evolution of Policy and Economic Development: A Discussion on Innovative Regions,” Massachusetts Institute of Technology: Special Working Paper Series on Local Innovative Systems, MITPLC-LIS-05-001. 26 Nissim Otmazgin and Eyal Ben-Ari Story, J.

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