By Stephen Laskevitch

Adobe Photoshop and Lightroom are principal to just about all photographic workflows. each one new edition of the software program is a milestone within the improvement of those important imaging instruments, and the 2014 releases aren't any exception.

Photographers usually consider crushed whilst beginning with Photoshop; the sheer variety of instruments and concepts make it tough for the beginner and intermediate consumer alike. there is not any scarcity of tutorial books, but only a few direct the consumer to the main major features of this system in a fashion that displays a true workflow for the photographer.

Adobe qualified teacher Steve Laskevitch has leveraged his event as a instructor and practitioner to create a consultant that gives a transparent and potent workflow for modifying pictures within the 2014 liberate of Photoshop CC and its partners Bridge, digital camera uncooked, and Lightroom 5.

Focusing at the severe parts of a workflow instead of overlaying each arcane characteristic, this ebook is designed to get you operating fast in those functions. alongside the best way, a few of the purposes are offered side-by-side in order that a consumer of 1 may perhaps how one can use the opposite: a type of workflow Rosetta Stone. Or, if you're new to all of it, this publication may be your roadmap, supporting you choose which approach to go.

In addition to the basic good points of those courses, Laskevitch covers new positive aspects particular to the recent releases, including:

• Lightroom mobile
• Dramatically superior uncooked photo processing, together with the hot Radial filter out and retouching of abnormal shapes
• Photoshop's better Blur Gallery (Tilt-Shift, Iris, box. and Radial Blur tools), upload selective concentration, and bokeh effects
• Recomposing or retouching images with much more content-aware modifying and retouching tools
• computerized straightening of picture content
• Camera shake reduction
• superior viewpoint correction
• Broader video help

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Extra resources for Photoshop CC and Lightroom: A Photographer's Handbook

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Picture too dark Problem: The photograph appears muddy or too dark with no detail in the shadow areas of the print. Cause: Again this is a problem of exposure. This time not enough light has entered the camera. Solution: Adjust the exposure compensation control to add more light or alternatively use a flash to help light your subject. 4. Subject too blurry Problem: The main subject, or the whole picture, appears blurry and unsharp. Cause: When images appear blurry it is usually the result of the subject, or the photographer, moving during a long exposure.

B) + Red. (c) + Blue. com SCANNER AND CAMERA TECHNIQUES Fine-tuning white balance >> With some models white balance settings can be finetuned to suit specific lighting scenarios. With this camera plus values add blue to the picture and negative values add red. 0 FOR DIGITAL PHOTOGRAPHERS SCANNER AND CAMERA TECHNIQUES 32 Preset white balance options >> You can obtain a precise white balance setting under mixed lighting conditions by using the preset or customize option in your camera. When the feature is activated the camera will analyze a white (or mid gray) card in the scene, neutralize any casts that are present and set the white balance according to the analysis.

Light source white balance settings The Daylight (Fine), Incandescent, Fluorescent, Cloudy and Flash (Speed light) options are designed for each of these light types. The manufacturers have examined the color from a variety of each of these sources, averaged the results and produced a white balance setting to suit. If you know the type of lighting that your subject is being lit by, then selecting a specific white balance setting is a good move. Again, for the majority of circumstances these options provide great results, but for those times when the source you are using differs from the ‘norm’, companies like Nikon have included a finetuning adjustment.

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