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Extra resources for [Magazine] PC World. Special Bonus Collection. Vol.54: Power Guide to Hardware Tweaks
I was living with someone I really liked but at the same time I was behaving miserably and I wanted to know why. So I sold everything I had, except my books, put some belongings in a car and decided to give 18 steven soderbergh: interviews Los Angeles another shot. This was at the end of 1987, and a few days before leaving I started to write a first draft of sex, lies, and videotape, which I continued to work on during my trip to California. When I arrived in Los Angeles, I gave it to my agent, not knowing what she would think because this had been for me both an act of liberation and remorse.
Despite the fact that Graham hasn’t seen John in nine years and has never met Ann or Cynthia, he is privy to terri minsky / 1989 7 all their secrets within a few days. He is also willing to reveal his own— that he was once a pathological liar and that his disgust with himself has made him impotent, able to become excited only when watching his homemade videotapes of women talking about sex. If anyone asks—and people usually do—where Soderbergh got the inspiration for sex, lies, and videotape, he tells them about his twenty-fourth year: “I was involved in a relationship with a woman in which I behaved poorly—in which I was deceptive and mentally manipulative.
Two months later, they finally asked me to shoot their concert. I was twenty-one, had never filmed a live show, and in the fall of 1984 I found myself in Canada with eight Panaflex cameras shooting two evenings of concert. All went well and I finished editing the film, 9012Live, during the summer of 1985. I remember sitting in their offices lamenting that I could not shoot a script I had written. They told me to find an agent. Which I did. I had her read my script, showed her Rapid Eye Movement and a piece of the concert film, and she liked them.