By Scott J. Miller
With the Meiji recovery in 1868, Japan opened its doorways to the West and underwent notable alterations because it sought to develop into a contemporary country. Accompanying the political adjustments that Western alternate ushered in have been common social and cultural adjustments. Newspapers, novels, poems, and performs from the Western global have been quickly tailored and translated into jap. the combo of the wealthy storytelling culture of Japan with the realism and modernism of the West produced many of the maximum literature of the trendy age.
Historical Dictionary of contemporary jap Literature and Theater offers a wide viewpoint at the improvement and heritage of literature―narrative, poetry, and drama―in glossy Japan. This publication bargains a chronology, creation, bibliography, and over four hundred cross-referenced dictionary entries on authors, literary and ancient advancements, developments, genres, and ideas that performed a significant position within the evolution of recent eastern literature.
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Additional resources for Historical Dictionary of Modern Japanese Literature and Theater (Historical Dictionaries of Literature and the Arts)
Early bungei eiga include Kawabata Yasunari’s Izu no odoriko (1926; tr. The Izu Dancer, 1964), which appeared as a silent film in 1933, and Tanizaki Jun’ichirô’s Shunkinshô (1932; tr. A Portrait of Shunkin, 1963) that appeared as a “talkie” in 1935. During the 1950s, as Japanese cinema matured and began to capture world notice, many of the most renowned films, such as Kurosawa Akira’s (1910–98) Rashômon, Mizoguchi Kenji’s (1898–1956) Sanshô dayû (Sansho the Bailiff), and Ichikawa Kon’s (1915–2008) Nobi (Fires on the Plains), were adaptations of stories by modern Japanese writers.
1984 Abe Kôbô publishes the novel Hakobune sakura-maru/The Ark Sakura. 1985 Critic Katô Norihiro publishes Amerika no kage/The American Shadow. Nogami Yaeko publishes the novel Mori/The Forest. Hino Keizô publishes the novel Yume no shima/Dream Island. 1986 Masuda Mizuko publishes Shinguru seru/Single Cell. Ôe Kenzaburô publishes the novel M/T to mori no fushigi no monogatari/ M/T and Wonder Tales of the Forest. 1987 Yoshimoto Banana publishes Kitchin/Kitchen. Murakami Ryû publishes Ai to gensô no fashizumu/Fascism in Love and Fantasy.
Finally, in a moment of enlightenment on a mountaintop at dawn, he discovers the inner serenity that allows him to face his impending death in peace. See also BUDDHIST LITERATURE. AOZORA. Aozora (Blue Sky) was a coterie magazine established by Kajii Motojirô, Nakatani Takao (1901–95), and Tonomura Shigeru ARISHIMA TAKEO (1878–1923) • 7 (1902–61) in 1925. Kajii’s first novel, Remon (The Lemon, 1925), graced the first issue, but the magazine was short-lived, ceasing publication in 1927. Contributors included Yodono Ryûzô (1904–67) and Takeda Rintarô (1904–46).