By Margery Sabin

Dissenters and Mavericks reinvigorates the interdisciplinary examine of literature, background, and politics via an method of analyzing that enables the voices heard in writing an opportunity to speak again, to exert strain at the presuppositions and personal tastes of quite a lot of readers. supplying clean and provocative interpretations of either recognized and unexpected texts--from colonial writers equivalent to Horace Walpole and Edmund Burke to twentieth-century Indian writers comparable to Nirad Chaudhuri, V.S. Naipaul, and Pankaj Mishra--the ebook proposes a debatable problem to winning educational technique within the box of postcolonial reports.

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Extra info for Dissenters and Mavericks: Writings About India in English, 1765-2000

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British historians and statesmen might list a dozen objections to Walpole’s analogy between Britain’s Indian subjects and Portuguese slaves, but Walpole’s seemingly outrageous conjunction is part of his wit’s power. Considerably less farfetched is his italicizing of “disaffected” as an epithet. Whatever the equivalent in Portuguese, the decorous English word “disaffected” (recurrent in British colonial discourse well into the modern period of Indian nationalism) is a good target for Walpole’s irony for reasons of both etymology and usage.

Thompson was also a regular on the liberal lecture circuit, where he joined E. M. Forster in telling unpopular truths about the Raj. The Other Side of the Medal is a quite shocking exposé of British atrocities during the Indian Rebellion of . ” An antithesis between imperialism and anti-imperial nationalism, drawn mainly from Frantz Fanon, organizes Said’s interpretations in the chapter and his distribution of critical praise and blame. Thompson’s merit as a “crusading opponent” is thus played off against E.

Not to blush at acts of tyranny, and yet to blush at the name of a tyrant. ). Walpole’s preoccupation with the impudence and hypocrisy of British imperial rule in India has a clear counterpart, if not a specific antecedent, in Diderot/Raynal. Walpole comes into his own voice in the letters, however, when he ironically marks instances of hypocritical language and then selfconsciously questions what language, what tone, what genre of writing can adequately register the kind of tyranny that refuses to acknowledge what it is.

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