By Mark Chen

Mark Chen's `Creative marriage ceremony Album layout' is a smart booklet for all marriage ceremony (and not just marriage ceremony) photographers, it doesn't matter what is their point of mastery. It bargains a mixture of infrequent perception and arms on adventure on a variety of inventive Photoshop rules through major its reader step-by-step via unique recommendations constructed via the writer in his occupation as a photographer and Adobe Photoshop professional.

The publication is split into ten artistic initiatives, that are jam-packed with invaluable assistance and ideas. Following the author's directions elevated my knowing on the right way to use adjustment layers and mask to refine photographs, the best way to grasp smooth brush strategy or enforce refined but strong improvements - simply to identify a number of. It additionally gave me an idea of what it takes to create unique and classy marriage ceremony album collages.

In basic, the e-book allows readers with necessary instruments with a purpose to make the easiest in their pictures not just in postproduction but in addition in preproduction making plans. it truly is an eye fixed commencing learn and advisor, effortless sufficient to persist with even for a Photoshop beginner. Being a photographer myself i discovered the e-book tremendous beneficial and could suggest it to a person who will need to make their paintings remarkable and artsy.

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Additional info for Creative Wedding Album Design with Adobe Photoshop: Step-by-Step Techniques for Professional Digital Photographers

Sample text

You do the selection first, before you bring the image into the collage. However, you accidentally cut off the groom’s finger—you took all of the body parts over to the collage and left the finger behind! In the collage, you notice the unfortunate involuntary amputation and you want to bring the finger back. The trouble is, you don’t have it in the collage. You will have to go back to the original image and find the finger. If the same mistake was made while making the selection with the original background in the collage, you could simply paint white on the Layer Mask and bring the finger right back.

If the background color is black, hit Ctrl-Backspace (Mac: Cmd-Delete) to fill black to the current layer (or Layer Mask). Press B to activate the Brush tool. Set the foreground color to white, the brush diameter to about 250 pixels, and the hardness to 0 percent. Making sure the Layer Mask on the Faces layer is selected, paint on the area where the faces are to bring them back without revealing the hand or the frame of the drawing. If the unwanted objects are accidentally revealed, press X to swap the foreground color to black and paint them back out.

Click on that pull-down to see a list of the three channels. We will counter the color shift by adjusting these channels. Click on the Channels pull-down and choose Green. At the Output Levels (this is the lower slider bar; do not accidentally adjust the Input Levels, which is the higher slider bar) click and drag the white-point slider toward the left until the value is about 223. I say “about,” because color “correction” is not really about correctness; it is about taste. You need to look at the image and make your call.

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