By Richard Calichman

Showing for the 1st time in English, the writings during this assortment replicate the most cutting edge and influential paintings by means of jap intellectuals lately. the amount deals an extraordinary and much-needed window into the the most important principles and positions at the moment shaping eastern idea ( shiso).In addressing the political, ancient, and cultural matters that experience ruled jap society, those essays pass a number of disciplines, together with literary thought, philosophy, background, gender reports, and cultural reports. individuals learn Japan's imperialist and nationalist prior in addition to representations and remembrances of this background. additionally they critique contemporary efforts in jap right-wing circles to erase or imprecise the extra troubling elements of Japan's colonial firm in East Asia. different essays discover how Japan has considered itself in regard to the West and the advanced effect of Western proposal on eastern highbrow and political lifestyles. The volume's groundbreaking essays on problems with gender and the contested position of feminist inspiration in Japan talk about the similarities among the emotional bullying of girls who don't settle for conventional gender roles and teasing in colleges; how the japanese have followed components of Western orientalism to discredit feminism; and old buildings of jap motherhood. (Vol. 4/1 2007)

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Extra resources for Contemporary Japanese Thought (Weatherhead Books on Asia)

Sample text

The non-relational character of death, as understood in anticipation, individualizes Dasein down to itself. This individualizing is a way in which the “there” is disclosed for existence. 55 The relevance of these lines for Nishitani’s dialogue with Heidegger lies in the notion of individuality and corresponding neglect of the question of the other that marks, in a certain sense, Heidegger’s thinking of death. That I must die alone since no one can possibly die in my place establishes, for Heidegger, the importance of individuality in the context of death.

In response to this process of naturalization, Ueno insists that it is history that is responsible for making objects what they are. , changes in gender politics) becomes possible. As, for instance, Ueno writes in the context of the notion of motherhood, perhaps one of the most naturalized concepts in modern society, “The concept of ‘Mothers’ . . is thus in no sense necessary. . 27 2. The critique of what commonly appears to be natural is not simply made from a position that is external to this latter, since natural attributes or properties reveal themselves to be directly opposed to those other attributes or properties set against them.

Nashonaru hisutoı wo koete, p. 145, and Orientarizumu no kanata he, p. 143, respectively. 23 Orientarizumu no kanata he, p. 123. This logic of “deviation,” which grounds difference upon identity so as to negate or neutralize its otherwise dispersive effects, is also worked out by Takahashi Tetsuya in the course of his critique of Kato Norihiro, in Sengo sekinin ron (Tokyo: Kodansha, 1999), pp. 132–133 (included below). For an exchange of views between Kang and Takahashi regarding such topics as nationalism, civilization, and barbarism, see Shiko wo hiraku (Tokyo: Iwanami Shoten, 2002), esp.

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