By Jigna Desai

Past Bollywood is the 1st accomplished examine the emergence, improvement, and importance of latest South Asian diasporic cinema. From a feminist and queer viewpoint, Jigna Desai explores the hybrid cinema of the "Brown Atlantic" via an in depth examine movies in English from and approximately South Asian diasporas within the usa, Canada, and Britain, together with such well known movies as My attractive Laundrette, fireplace, Monsoon marriage ceremony, and Bend it Like Beckham.

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Extra resources for Beyond Bollywood: the cultural politics of South Asian diasporic film

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Thus, South Asian diasporic films function significantly as part of the shifting economic, political, and cultural relations between global capitalism and the postcolonial nation-state, raising questions regarding the negotiation of cultural politics of diasporas located within local, national, and transnational processes. Most frequently, films are institutionalized within the canons of national cinemas that are nation-building projects. Hence, cinema functions significantly in narrating nations and producing national identities.

Since then the term has been expanded to employ analyses of many multiple and contradictory differences in understanding experiences immersed in uneven power relations, hence focusing not only on understanding oppression but also privilege. -based feminist studies. The mantra associated with a “been there, done that” exasperation by many feminists does not address the ways in which contemporary feminist scholarship has barely begun to understand how an analytic based on multiple and simultaneous contextual differences might affect feminist theories.

Queer methodology does not suggest attention to homosexualities or homosexual identities only. Instead, to “queer” here is to provide a critique of the normative, particularly the heteronormative, as suggested by queer studies scholars Berlant (1997), Michael Warner (1993), and Lisa Duggan (1994). ” Queer theory stresses the analysis of the powers and structures that construct norms and deviances. Thus, queer method here is less about excavating lesbian and gay identities and subjects than it is about interrogating the ways in which heterosexuality and other modalities of power (such as whiteness and maleness) are normative and are identifying the multiple spaces of nonnormativity.

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